Sunday, June 28, 2020

Complacency vs. Disability

Who am I?
What is my place?

I want to help.
I don’t know how.

Black lives matter,
because all lives matter.

Do I stay silent and let
more qualified people talk?
Is my silence harmful?

I need to educate myself
on my lingering ignorance.
There is a lot.
But I don’t know how.

It’s not easy.
Simple does not equal easy.
I’m disabled.

My personal cognitive issues don’t compare to the systemic oppression of so many others.
But I feel like my disability is often overlooked or ignored,
or not believed,
and used as a weapon against me.

I’m not lazy.
I’m disabled.
I want to educate myself.
I want to research what I need to know.
But I don’t know how.

I know how physically.
I don’t know how mentally.

I used to wonder about slavery. About the Civil Rights movement.
If I were alive then, would I choose the moral, the righteous side,
or remain complacent and just watch history as it happened?

I’m a very complacent person.
I’m used to not being able to affect things.
I’m used to not taking sides.

Often, taking manufactured sides is evil.
Politics, religion, any damn disagreement.
The Us vs. Them mentality is pure evil.

But racism.
Racism is pure evil.
Fuck racism.
I want to be on the right side of history.
But I,
I don’t know how.
I don’t know what to do.

It’s not my place to speak out.
It’s not my place to be quiet.

The things I think I can do,
I can’t.

It’s a descriptor, not a crutch.

Black lives matter,
because all lives matter.

This is a truth.

Systemic racism is real.
Systemic racism is alive.
Systemic racism is evil.
Systemic racism is raging.

Systemic racism needs to die.
I want to see it die.
Humanity needs to see it die.

I want to help.
I don’t want to be complacent.
I want to protest.
I want to make a difference.

But I just,
I don’t know how.

Wednesday, June 20, 2018

Elegy of Ermeros

I didn't plan to die. I don't know who would, although I always knew it was a possibility. As I always told myself, I would either rise in glory or go down in flames. In the end, flames were the path fate chose.

In my final hours, it became abundantly clear that my ambition far surpassed what I was capable of achieving. In my final minutes, it became abundantly clear that I had a choice. I could fight for my survival, to no avail, or I could choose to die.

It’s two ways of looking at the same thing. There's truly no difference. Both involve hitting the bad guy as hard as you can, and both involve your dying breath. But only one involves failure.

So hit me with your best shot. I have my pride and my best friend at my side. What do you think you can take away from me?

Monday, May 1, 2017

Soundtrack Feature: Jessica Jones

Soundtrack of the Month: May 2017

The films of the Marvel Cinematic Universe are not particularly known for their female protagonists. While they have strong female characters, they're often relegated to slightly lesser roles, and there has yet to be a film centered around a female character. Thankfully, if you're looking for quality material starring women, Marvel's television subcontinuity has you covered. Jessica Jones is the second entry in Marvel's series of interlocking Netflix shows, following Daredevil and directly succeeded by Luke Cage.

Jessica Jones is a very unique story for the Marvel universe. It's not about a superhero—it's about someone who has superpowers, tried out the superhero thing a long time ago, and had her world turned upside down and shattered. Many years later she works as an alcoholic private detective, estranged from everyone she cares about.

Sound depressing? It is. It's also extremely dark, and one of my favorite stories of all time. Jessica Jones is what actually made me start reading Marvel comics. I loved it so much that I went and purchased a massive, hardcover, 28-issue omnibus of Alias, the original comic series that introduced and starred the character.

The music of the show is composed by Sean Callery, and is quite different from any Marvel soundtrack to come before. It's very noir-esque to fit the style of the show.

Featured Tracks

Track 1: Jessica Jones Main Title – The Daredevil theme was extremely impressive, and set a very high bar. Not only did the Jessica Jones theme meet the bar; some would say it surpassed it. If only the shows' successors had continued the trend.

Track 5: Fight at Luke's Bar – This sounds like it would've been incredibly difficult to compose. Though, probably pretty fun as well.

Track 10: Jessica on the Move – This and a few other tracks actually give me a bit of a Halo 3: ODST vibe. I guess I have an ear for genre-bending noir hybrids.

Track 21: Jones-Cage Match – I thought puns were Michael Giacchino's thing. Huh.

Purchase Jessica Jones (Original Soundtrack) on iTunes or Amazon MP3.
Or listen to it for free on Spotify or YouTube.

Saturday, April 1, 2017

Soundtrack Feature: The Whispered World

Soundtrack of the Month: April 2017

The Whispered World is an incredibly flawed point-and-click adventure game that has a very special place in my heart. It's about a depressed clown named Sadwick and his caterpillar named Spot, as they set out on an adventure to prevent the world from ending.

Seeing as today is April Fool's Day, this soundtrack seems like an oddly fitting selection. The game's protagonist is the antithesis of a clown, who thinks of himself more as a joke than a creator of jokes and humor. He adds a darker dimension to an otherwise lighthearted and colorful fantasy world.

The music, composed by Finn Seliger, is surprisingly beautiful, covering all of the game's various themes. The sound is very unique, to the point that I frequently have difficulty distinguishing what instruments are used. There is for certain a very strong presence of piano and wind-based instruments, but they're used in a way I haven't often heard. It makes for a very unique soundtrack.

Another reason for the timing of this feature is in celebration of the semi-recent release of Silence, the sequel of The Whispered World. The two games are incredibly different, yet surprisingly very similar. The music of Silence has a more orchestral approach, and was composed by Tilo Alpermann.

Featured Tracks

Track 1: Main Theme – I adore this main theme, and I love that it was brought back for the game's sequel. I have a friend who learned to play it on piano, and suddenly I want to learn piano.

Track 2: A Sad Clown – Boy, this game is weird. This song frequently comes to mind when I'm asked about beautiful piano music.

Track 9: Asgilia – You are not in a very nice place. Not nice at all.

Purchase The Whispered World soundtrack on Amazon MP3 or iTunes.
Or listen to it for free on Spotify or YouTube.

Wednesday, March 1, 2017

Soundtrack Feature: Much Ado About Nothing

Soundtrack of the Month: March 2017

In 2011, during a contractual vacation from working on The Avengers, filmmaker Joss Whedon organized and directed an adaptation of William Shakespeare's romantic comedy Much Ado About Nothing, shot entirely in 12 days. The film starred actors from all throughout Whedon's career, and was released in 2013. Due to monetary constraints Whedon himself composed the music to the film.

Joss Whedon's career has been filled to the brim with projects heavily influenced by music. His first television series Buffy the Vampire Slayer had excellent score, frequently showcased real-world local indie bands at the often-visited club The Bronze, and even featured a musical episode written entirely by Whedon himself. Many years later he would create another musical with his brothers and sister-in-law, Dr. Horrible's Sing-Along Blog. Nearly every project of his career has been heavily influenced by music in some way.

While Whedon had written songs before for the aforementioned musicals, Much Ado About Nothing is his first ever attempt at scoring a soundtrack. In short, it's enjoyable. It's very string-focused, with other soft instruments, and a subtle yet beautiful companion to the black-and-white, bizarrely genre-bending adaptation of this classic story. The soundtrack features two songs with lyrics taken from Shakespeare's original play, which are performed by Whedon's sister-in-law Maurissa Tancharoen, and his brother Jed Whedon.

Featured Tracks

Track 1: Main Title – Peaceful. Though, I imagine someone slamming their finger on the piano pretty hard.

Track 6: Sigh No More – Lyrics by William Shakespeare; musical arrangement by Joss Whedon; performance by Maurissa Tancharoen and Jed Whedon. Now that's quite the superhero team-up.

Track 26: Heavily – Now, I know Much Ado is supposed to be a romantic comedy, but it's also kind of a tragedy. And man does Whedon nail that in his adaptation.

Purchase Much Ado About Nothing (Original Score) on Amazon MP3 or iTunes.
Or listen to it for free on Spotify.

Wednesday, February 1, 2017

Soundtrack Feature: Tick Tock Isle

Soundtrack of the Month: February 2016

Tick Tock Isle is a short but enjoyable indie game about a time-travelling clock repairman and how he accidentally influences the lives of a family over many years. It has charm and humor and, if you don't get too lost in the family's maze of a mansion, can be completed in around an hour and a half

The music is a melodic chiptune soundtrack by Irish composer Kevin Carville. It's full of personality and frequents a main theme heard throughout many tracks on the soundtrack. It's diverse enough to remain interesting and beautiful throughout the game, but it's also soft enough that you could fall asleep to it. In fact—I have! Overall, the music is as lovely as the game itself.

Featured Tracks

Track 1: Tick Tock Isle – The main theme of the game, heard multiple times throughout the soundtrack to accompany various different periods of time, seasons, and times of the day.

Track 12: Box Fort – Every so often, you'll come across a couple kids who've built a fort out of whatever they have lying around, be it boxes, sand or snow. Inside each fort is a short platforming level inspired a classic video game.

Track 32: Melody's Big Finale – Melody is a young girl, quite talented in musical instruments, but also quite bored and feeling uninspired. Throughout your adventure you'll find various instruments to give her, to try and spark her creativity.

Purchase the Tick Tock Isle soundtrack, or listen to it for free, on Bandcamp.
Be sure to check out the game itself on Steam.

Sunday, January 1, 2017

Soundtrack of the Month: January 2017

Happy 2017! I started this piece with the intention of it being a Soundtrack Feature, but as I was writing I realized I had enough content for a full Soundtrack of the Month piece. What does this mean? Is the series finally back in full? Well, we'll see. For now, enjoy the piece.

Doctor Strange is one of the most ambitious films of the current era in terms of visual effects. We're shown bizarre worlds and mind-blowing effects as the world is morphed and manipulated around the characters, showcasing some of the most impressive visuals in filmmaking history. Creating a musical backdrop for a film such as this was an ambitious feat, and Marvel was wise in selecting Michael Giacchino for this task.

Some may argue that the Marvel Cinematic Universe scores aren't as memorable that they should be, but I don't entirely agree. A lot of the films' music unquestionably invokes memorable feelings of awe and beauty, and Doctor Strange is certainly no exception. Giacchino's score fits in with the rest, yet also stands out as entirely unique. The main theme, exhibited in the credits track, is one of the best themes from a Marvel movie.

Featured Tracks

Track 3: A Long Strange Trip – A bizarre trip through space and imagination. I think God had a seizure.

Track 18: Go for Baroque – Michael Giacchino is known for incorporating puns into his track titles, when producers allow him to do so. He was able to sneak a few into this soundtrack.

Track 19: The Master of the Mystic End Credits – The full Doctor Strange theme, in all its creative and melodic glory.

Purchase Doctor Strange (Original Motion Picture Soundtrack) on Amazon or iTunes.
Or listen to it for free on Spotify or YouTube.